Sarah: It’s rare for me to actively want a three dimensional piece of matter, especially a print book, when I have the digital copy. I read a lot more closely with a physical book, but it’s less convenient.Īmanda: I usually get multiple editions for different covers or special copies. I also had to become Rather Nosy and ask the rest of the folks in SBTB HQ.Įlyse: I own a lot of books both as physical copies and digital copies. I don’t own many physical copies of books, but ebooks and audiobooks I often acquire in tandem because I like having the option to read or listen. I think this is so cool, and really interesting.

I absolutely adore The Widow of Rose House – it’s one of my very favorite books!Īfter I read it in ebook, I bought a paperback copy, too, because I needed to have it in multiple formats for all my future re-reads. So I am very excited and happy to say that I will be joining Framestore very soon as an FX TD in the episodic/advertising /immersive department! I am sure and eager to continue working on many cool shows and how to continue learning and progressing further.Late last month in a Books on Sale post, Stephanie Burgis mentioned in a comment: I leave with many sweet memories but I am more than ready for the next adventure. I would work with any of you again in a heartbeat. It has been a pleasure to work with all of you and thank you for the guidance, confidence, leadership and trust.

I want to take this opportunity to sincerely thank the leads on all the shows I have been on (in chronological order) : Abdel Halim Garess, Hadrien Augier, Christopher Hönninger and Daniel Fernández. My time at MPC has led me to feel proud of my work, it has led me to make close friendships and has allowed me to gain confidence and pride in my work. I have learnt from so many talented and dedicated leads and artists, as well as grown and developed further as an FX artist. Yesterday was my last day at MPC and I can honestly say that I have had a fantastic time in the past year and seven months.

Sidefx vimeo